BOKECH STARTING AT f 1.2
ULTRA WIDE PERSPECTIVE 16 MM
	SUPER TELE PERSPECTIVE 800 MM
TILT / SHIFT THE ULTIMATE ART
	FISH EYE SEE IT LIKE A FISH
MACRO THE WORLD OF DETAIL
	THE STORY XXX
SIMPLICITY EXPLORE THE BEAUTY OF LIGHT AND SHADOW
	EYE CATCHING THESE IMAGES WILL GET YOUR ATTENTION

 

 

 

 

 

	RESOLUTION FULL FRAME 20 MPX SENSOR WITH 5000 PIX WHAT IS EQUAL TO A3+ (45 X 30 CM) LARGE PRINTS
XX XX
	RICH COLOUR 14BIT
SHARPNESS SHARPNESS & THE LEVEL OF DETAIL IS PROVIDED BY THE FULLFRAME 20 MPX SENSOR AND THE HIGH END OPTICS OF THE L LENSES
	LOW LIGHT CONDITIONS EVEN IN THE DARK AND IN MOTION WITH THE STUNING TECHNOLOGY OF f 1.2 & ISO 6400 THESE PICTURES ARE POSIBLE
LOW NOISE ISO 100 SENSOR SIZE - FULL FRAME 35 MM
MOTION BLUR STABILAZER XXXX
KNOW HOW - EDUCATION EVEN THE BEST TOOLS ARE USELESS IF YOU DONT KNOW HOW TO USE THEM... SO IN THE YEAR 2008/2009 I HAVE WENT THRU THE COURSES OF ADOBE CERTIFIED INSTRUCTORS LIKE: Chris Orwig - LIGHTROOM, PHOTOSHOP Mordy Golding - ILUSTRATOR Chad Perkins - AFTER EFFECTS Garrick Chow - DREAMWEAVER ...and even more
	FAST CAPTURE RATE 9 IMAGES PER SECOND
ADVANCED POST-PROCESSING FROM RAW FILE TO SCREEN OR PAPER
	STATE OF THE ART TECHNOLOGY CANON - HASSELBLAD - GITZO MAC - EIZO - WACOM - ADOBE EPSON - HANHNEMUHLE
QUALITY CONTROL IS ASSURED BY USING THE CALIBRATED SYSTEM WITH THE HELP OF BassICColor SOFTWARE AND HARDWARE IN THE STANDARD D50 (5000K) LIGHT CONTROLLED WORKSPACE WITH THE JUST NORMLICHT LIGHTNING SYSTEM ALL IN ACCORDANCE OF ISO 3664 OR 12646 RESPECTIVELLY